Both Channels have a Pitch shifter enabled for each to eliminate phase cancelation. My Logic Pro X FX Chain: Orginal Yamaha DX7 - Mono out, duplicated to two Audio Channels, hard panned Left and Right. In the YouTube video: I'm using 'Dexed' as my Sysex MIDI Editor and Librarian with Logic Pro X, 10.3. There's a monster that lives insides my DX7 and is waiting to be released! That is Character!īy experimenting with some cool FX sound tricks, I was able to get something really cool. I can only imagine when I start getting into the real thick of the things when I start designing my own DX7 sounds in my genres like Industrial Metal, Psytrance and maybe some Dubstep. Why? It just had a certain sound to it that cuts into a mix. Some say it was due to the complexity of how the FM synth was designed or its unique power supply and ROM chip! To me, it was the soul of the machine that defined the era, dirty Low-Fi 12- bit sounds, with a mean-ass low-end. Let's take for example here an original Yamaha DX7 FM Synth A staple synth found in most of the Top 40-1980's Pop songs. IMHO, the difference between a Real DX7 and those Synth Clones like Dexed, Arturia, and FM8, is the character. The VST clones just can't compare to the real thing! The reason is simple, Most VST Plugins just have no real Soul! I was actually shocked to the kinds of sounds I was able to get out of it. I found a nice Yamaha DX7 Synth the other day and had a little fun hooking it up to a Digital Audio Workstation (DAW) called Logic Pro X. Yamaha confirms that the DX7 was given a dark chocolate colour to match the scheme of the YIS home computers.Funny YouTube Tutorial on how to harness an original Yamaha DX7 synthesizer and create some Gnarly Nasty FM Synth Sounds! Note: the most famous of the "black boxes" isn't actually black. Sustain footswitch, portamento footswitch, volume and modulaion foot controllers, and breath controller inputs.61-key velocity and after-touch sensitive keyboard.Programmable function memory for real-time performance effects.Cartridge slot for ROM cartridges containing 64 voices or user-programmable 32-voice RAM cartridges.Independent 8-parameter envelope generator for each operator.Programmable 6-operator 32-algorithm digital FM tone generator.An optional Yamaha ADX10 accessory kit could be purchased, containing a volume pedal, a sustain pedal, two blank cassettes and a 1/4" cable. Voices cannot be stacked and a basic MIDI implementation is provided, although many later expansion will add these features.Īdditional patches storage relies on RAM cartridges type 1, and many presets carts were manufactured also by third parties as the engine could to so much more than the limited selection of factory presets. Modulation can be achieved through foot switches, breath controllers and keyboard aftertouch. The DX7 FM engine has 6 operators, 32 algorithms, pitch envelope generator and keyboard scaling. Its engine however requires a different attitude to be programmed, something that since 1983 scared away lots of players used to the common oscillators+filter scheme but can be learned for sure. Furthermore, the Chroma shows a very similar arrangement of the top panel, with data entry sliders on the left and two rows of preset / function switches on the right.Įventually the convergence of all these single avant-garde instances successfully resulted in a synthesizer that received lots of praise for its sonic capabilities. Nothing particularly innovative with the interface either, as the 1981 Rhodes Chroma already adopted membrane switches and sliders, and many synthesizers already had command panels flush with the keyboard. Roland was already producing cheap polyphonic synthesizers for the public: for example the Juno 6 retailed for far less than 1000$ in 1982. It sounded great, but had to be programmed using an external computer, and was extremely heavy, bulky and expensive. It achieved a great success over the years and has now a cult status among players and aficionados, but we must remember that in 1983 it wasn't a groundbreaking instrument, rather a mix of the latest technologies already available.įM synthesis was in development since the late 70s at Yamaha, with the GS lineup already equipped with digital FM capabilities. The DX7 is without any doubt a milestone in synthesizer history.
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